Fotini Hamideli was born in Greece. She studied art in the U.S. in Rhode Island School of Design. She returned to Greece where she lives today. She teaches art lessons and collaborates with the Central Public Library of the city of Veria, organizing various events, lectures and art programs directed to children. She does graphic work designing posters, brochures and magazines and has written articles on art. Her work has been published in two books written by Dimitra Mitta, ”Jocasta’’ and “Masks” and in several art publications. In Greece she first exhibited in “Diagonios”, a gallery in Thessaloniki, directed by Dinos Christianopoulos, a well known Greek poet. Fotini Hamideli has been showing her work since 1978, participating in over 75 group shows and has had fourteen solo shows.
LE OPERE
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Pittura, Grafica, Illustrazione, Computer Art
- Luigi Ballarin
- Patrizia Biliotti
- Patrick Boito
- Cecilia Bossi
- Pellegrino Capobianco
- Massimo Casalini
- Maria Lucia Castro
- Irene Caverni
- Francesco Cosimini
- Stephanie Cox
- Björn Dämpfling
- Chiara De Carli
- Eric De Paoli
- Sara Del Corso
- Gerardo Di Salvatore
- Nicola Donato
- Eleonora Fontani
- Graziella Gola
- Graziella Gola
- Giuseppina Gravina
- Francesco Guggi
- Cosimo Guida
- Fotini Hamidieli
- Alessandra Ioalè
- Manfred Juengling
- Iolanda Larenza
- Letizia Malucchi
- Giada Matteoli
- Giada Matteoli
- Chiara Monacelli
- Olga Nikolaeva
- Graziella Nisticò
- Ebe Petronio
- Valentina Picchi
- Valeria Polledro
- Fabio Profeti
- Silvia Proserpio
- Silvia Rocchi
- Massimo Rognini
- Mihaela Sebeni
- Diletta Socci
- Mario Tonino
- Scultura
- Video
- Fumetto
- Racconto
- Poesia
il pittore
Pittura, Grafica, Illustrazione, Computer Art
TITOLO OPERA
Senza titoloARTISTA
Fotini HamidieliDESCRIZIONE OPERA
For many years I've been painting figures of women. These women have been changing and growing at the same time I did, expressing things I felt. There are different series of works presented here but their subject is relative as the main theme deals with mirrors.
A mirror may not actually be depicted in every work but what is pictured can be seen as a mirror image, even as an image of the spectator.
